For the
most part, Red Side Story is worth the 15 year gap between this book and Shades
of Grey. And much like Jasper Fforde’s Thursday Next series (which will have an
eighth and final novel, Dark Reading Matter, out in 2025), he brings forth similar
ideas, but approaches the concept of a totalitarian future society from the
same very different, yet skewed perspective. The good part of Red Side Story is
we get some answers from the first book, but we still don’t get a clear
understanding what the people of Collective are. They act and respond in a very
human sort of way, but they also act like automatons much of the time, especially
the Yellows who love rules – or highly functioning androids who believe they’re
real. We get a better idea that the four sectors of the Chromatacia are some
sort game board, I guess (?), or some sort of highly developed physiological computer/hologram
program to test people’s reaction to a authoritarian the social order (The Book
of Harmony and the tyrannical following of rules, and preventing free-thinking).
While those
will be obviously answered in a third book, I was bothered by a few deus ex machine aspects that let them get
away from certain death by the last minute intervention from other people.
There were at least three very obvious parts, including the trip to Crimsololia
and the timely arrival of Hanson (Angel-Creator?) who saves Eddie and Jane from
Yellows who were assigned to murder them, drops a cache of Very Important Plot
Points, then because he believes he’s killed them, leaves before Jane’s magic
key saves them - so no harm no fowl. The second when the escape their doom from
the crime of killing the Courtland from the first book, as well as the Yellows,
by another timely arrival, and even their escape from Vermillion was too easy.
The Tin Men, along with the Apocryphal Man (named Baxter’s), are other helpful plot devices that make you realize that neither Eddie nor Jane are really solving any mystery of who and what they are –it’s being fed to them one spoonful at a time.
Still, Fforde’s
deadpan and satirical humor shines through. His absurd worlds will remind many
of Douglas Adams, Terry Pratchett, and Monty Python, which plays on the comedy
of manners that British still think, is cool.
The set-up for book three is here, as well, but I found the ending a bit disappointing. I sense the plot is leaning towards a more formulaic ending rather than some Big Revelation. But we’ll have to wait see –just, I hope, not another fifteen years!
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