Books: The Day of the Jackal By Frederick Forsyth (1971)

“The Jackal. A tall, blond Englishman with opaque, gray eyes. A killer at the top of his profession. A man unknown to any secret service in the world. An assassin with a contract to kill the world's most heavily guarded man. One man with a rifle who can change the course of history. One man whose mission is so secretive not even his employers know his name. And as the minutes count down to the final act of execution, it seems that there is no power on earth that can stop the Jackal.” 

While the book follows a fictional assassin hired to kill President Charles de Gaulle, it looks inspired by multiple attempts  on de Gaulle’s life. As portrayed in the book, the would-be killers are from the Organisation de l'Armée Secrète (OAS), a far-right paramilitary group determined to prevent Algeria from gaining independence from France. The OAS was no harmless group of disgruntled citizens. Many were battle-hardened former French military officers who had fought in the Algerian War. For them, Algeria wasn’t just another piece of French real estate. It was a part of France itself. Jean-Marie Bastien-Thiry, is mentioned in the opening pages of the book, was a real person, a French Air Force lieutenant colonel and avid supporter of the OAS, who led one of the plots. The plan was simple. Ambush de Gaulle’s car on a quiet suburban road outside Paris and kill him in a hail of bullets. While De Gaulle survived the attack, Bastien-Thiry was  arrested, tried, and executed for his attempt on the president’s life. In fact, he was the last person to face a firing squad in France for a political crime. So Forsyth’s fictional tale, he seemly drew heavily on the real-life motivations of the OAS and the real history of the time period (I could also not fail to recognize other aspect is the book: it’s set between the fall of 1962 into 1963 and one can’t also draw parallels the Kennedy assassination in November of 1963). 

It’s a well researched novel, I’ll give Forsyth that. It’s basically a historical novel that uses real people and incidents and wraps a police procedural around it. The first half is extremely detailed on how our unnamed assassin sets his plan. At times, it gets bogged down in too much detail, but this is a book released fifty years ago when attentions spans were longer. Today, a novel like this would’ve trimmed a good deal to make the pacing faster, even though then, as today, we all know how the book will end (see more below). It’s a technically and proficient tale, despite some gaps in logic – mostly being that out all the intelligence this man has, his ability to change course when needed, he failed to understand that human error. One thing he discounted was the one thing that got all the worlds police involved in finding him.

To note, the book has interesting origins. Forsyth wrote it in less than six weeks –the first two months of 1970- but had difficulty getting anyone to accept his unsolicited novel. Four publishing houses rejected it between February and September because their editors believed a fictional account of the OAS hiring a British assassin in 1963 to kill Charles de Gaulle would not be commercially successful, given the fact that he had never been shot and, when the book was written, de Gaulle was in fact still alive and retired from public life (de Gaulle would die in November of 1970). A small print run was finally ordered and the book was released in June 1971. Though never formally reviewed, the book found it success through word of mouth and this got the interest of the American publisher Viking, who released the book in late summer 1971. A film version followed in 1973 to great success. A reimaged modern version of the book was adapted for TV via British Sky TV and the American streamer Peacock. Its first 10-episode season was released in 2024. A second season is tentative for late 2026 release.

Books: Meanwhile, Back at the Front by Gene L. Coon (1961)

“Men are essential to fighting wars and the Marine Corps has thouhjfully gathered 24,000 of them in a limited area in Korea. Ben Hedges is the head of the Public Information Office, hosting journalists covering the war. They prefer to do it in the company of many, along with many bottles of booze. Meanwhile, one of Hedges's staff, Sgt. Riley, has had inspiration of his own: because there are 24,000 Marines in Korea, whom are always on the move - so what they need most of all is a mobile whorehouse.” 

Long before Richard Hooker wrote MASH, his seminal 1968 novel about the Korean War, writer Gene L. Coon gave us Meanwhile, Back at the Front, a sort of semi-autobiographical tale of his time reporting during the Korean War (he would write one more novel set in Korea, The Short End of the Stick, released in 1964. It became one of the earliest publications to discuss the drug problems of the bored occupation troops and how commanders dealt with them). 

The book really is well written (a talent Coon would foray into a TV writing career after the war, see below) and sometimes very funny. However, there’s a reason this book has been out of print for decades, as it has no universal appeal. War novels have their fans, but tales set around WWII with some sort of hook that will get a young reader today to sit and read will be out shined by this book. And maybe there are other reasons, as well, why Hollywood has all but ignored this time period, (with the exception of MASH) if only because it was seen less a heroic, end of the world conflict and more an ideological battle led by politicians. As well, there is a lot of misogyny and blatant, in your face racism that the MASH TV series never covered. 

As a writer for TV, though, is where he'll be more remembered. By 1956, Coon became involved in scripting teleplays for popular Western and action television shows of the era, including Dragnet (1951), Wagon Train (1957), Maverick (1957), The Wild Wild West (1966) and Bonanza (1959). At Universal in the early 1960s, he turned McHale's Navy (1962) from a one-hour drama into a successful 30-minute sitcom. Together with the writer Les Colodny, Coon floated the idea for The Munsters (1964), as a satirical take on The Donna Reed Show (1958). Coon was also known as one of the fastest writers in Hollywood at the time, often rewriting a script for shooting overnight or over a weekend. 

This speed and dry sense of humor may have helped him get his job working on Star Trek. Brought in around the middle of season one, when Gene Roddenberry was facing exhaustion and the NBC censors, Coon became instrumental in bringing humor to the show, as he’s credited for seeing the Kirk-Spock-McCoy triumvirate thus creating the “bickersonesque" disagreements between Spock and McCoy than fans grew to love, as well some the most signature aspects of Star Trek: the United Federation of Planets, Starfleet Command, Photon Torpedoes, Khan Noonien Singh, Zefarm Cochrane and the Klingons. Sadly, much of it, if not all of it, is credited to Roddenberry himself. While personal issues with Roddenberry forced him to leave midway through season two, he did contribute four scripts for the third season under the pseudonym of Lee Cronin, as he was by then under contract to Universal Studios (where he mentored the prolific Glen A. Larson).

Books: When We Were Real By Daryl Gregory (2025)

“JP and Dulin have been the best of friends for decades. When JP finds out his cancer has aggressively returned, Dulin decides it’s the perfect time for one last a week-long bus tour of North America’s Impossibles, the physics-defying glitches and geographic miracles that started cropping up seven years earlier—right after the Announcement that revealed our world to be merely a digital simulacrum. The outing, courtesy of Canterbury Trails Tours, promises the trip of a (not completely real) lifetime in a (not completely deluxe) coach. Their fellow passengers are 21st-century pilgrims, each of them on the tour for their own reasons. There’s a nun hunting for an absent God, a pregnant influencer determined to make her child too famous to be deleted, a crew of horny octogenarians living each day like it’s their last, and a professor on the run from leather-clad sociopaths who take The Matrix as scripture. Each stop on this trip is stranger than the last—a Tunnel outside of time, a zero gravity Geyser, the compound of motivational-speaking avatar—with everyone barreling toward the tour’s iconic final stop Ghost City, where unbeknownst to our travelers the answer to who is running the simulation may await.” 

As I’ve read the books of Daryl Gregory, you can’t escape the notion that he has one of the most incredible imagination \s you’ll find in speculative fiction. This enables him to write deftly in many different genres, which now includes this confusing, yet quirky, weird, and funny book When We Were Real. 

The idea we live in a simulation is not new (it reminded me Deep Thought from Douglas Adams Hitchhikers Guide to the Galaxy), but here is becomes the starting off point to this novel. Here it's been revealed that our world is a simulation, and people have had seven years to adjust to that fact. To prove it, the Simulators (who or whatever they are) have populated the world with a variety of 'Impossibles', objects which defy all normal laws of physics, such as The Frozen Tornado, the Zipper, the Hollow Flock, the Geysers of Mystery, Ghost City. 

Most of the book plays out like your basic road trip story, a trope used in almost every piece genre out there. Once you get through the first chapter—where majority of the characters were introduced all at once- the book settles down and each main character (who are assigned a label, i.e. THE INFLUENCER, THE REALISTS, and THE REALISTS SON) and some of the other characters throughout the book, gets a nicely developed.

It’s a bit overlong (mostly because it’s long list of characters), but Gregory does give the reader something to ponder about philosophical views on life and death. It’s also full of Gregory’s brand of wittiness (for some reason I found his comment on a women’s period, something akin to a “40-year home loan”, laugh out loud funny). Still, like his other books, beyond the sometimes biting humor, jokes, and silliness, there are a lot of emotional elements as well.

Books: Vermilion (Valentine and Lovelace #1) By Nathan Aldyne (1980)

"A dead young hustler is found on the lawn of a queer-baiting legislator. Boston's political and queer communities are up in arms about the matter, and police are bent on finding the killer -- fast. Best friends Daniel Valentine and Clarisse Lovelace team up and hit the streets of Boston. Through a sinister underworld of bars and baths, bondage and blackmail, they're out to solve a very bizarre murder.” 

Vermilion is first of four books mysteries that Michael McDowell and Dennis Schuetz (who penned the 1985 episode ANSWER ME from the syndicated anthology series TALES FROM THE DARKSIDE) wrote under the pseudonym of Nathan Aldyne. 

Much like Joseph Hanson’s Dave Brandsetter series I read a few years ago, Vermilion will give a a reader a bit of a culture shock, especially to those not familiar with the 1970s and pre-AIDS era gay scene (sadly, both men died of the disease, Schuetz in 1989 and McDowell a decade later). It’s a bit un-PC, which reflects how a lot of gay men and drag queens dealt with each other. It is also a delightful look at era that is both in the past and in the present (queens will always be mean to other queens). It’s has a very familiar format, yet original, funny, but a bit dark. 

I found a quick and enjoyable read, mostly interesting for its depiction of gay life in Boston (which was probably the same in any big city at the time). Daniel does take a bit to start liking at first, and Clarisse is rather clichéd fag hag, but it was a fun read and, again., an interesting time capsule for anyone who did not grow up in that era and might want to know how the gays that came before the 21^st Century used to live.

Books: Timeline By Michael Crichton (1999)

“In an Arizona desert, a man wanders in a daze, speaking words that make no sense. Within twenty-four hours he is dead, his body swiftly cremated by his only known associates. Halfway around the world, archaeologists make a shocking discovery at a medieval site. Suddenly they are swept off to the headquarters of a secretive multinational corporation that has developed an astounding technology. Now this group is about to get a chance not to study the past but to enter it. And with history opened up to the present, the dead awakened to the living, these men and women will soon find themselves fighting for their very survival -- six hundred years ago.” 

I kind of suspected that Timeline would be just another variation on his own Jurassic Park. I mean, here we have a company called ITC, a generically named one at that, which is entirely not an above corporation - ass they’ve secretly built the world’s first quantum computer. In Jurassic Park, we had a generically, and not completely above the board company named InGen who was secretly cloning dinosaurs. And while both CEO’s are portrayed differently, their end goal is the same: the future of entertainment (which is a dumb, but highly truthful as well). 

I’ve mentioned before my fondness for time travel stories, though I full admit I’ve not even read HG Wells, but here we are. Now Crichton tries really hard to explain how time travel can work. Here his explanation comes from existing science, his vehicle being quantum theory and the multiverse, as well as Quantum mechanics, which uses complex mathematics to predict probabilities. For here, time travel is not one single road stretching from the past to our future (to him, there is no past, just now). However, using the many worlds theory, the idea is there are an infinite number of worlds sandwiched together and ITC’s technology can, “fax” for lack of a better word, people into various pasts and not run into paradoxes. Because, in a sense, if I wanted to go and meet my Dad before he died, I could, but it would be in a universe where he never died at 34.  

Well that’s the theory of CEO Robert Donager, who is very smart, but also an asshole. Still, he funds archeological digs around the world, including a dig in France at the site of a medieval battle. But when the students working at the dig find a message from their missing professor -a message written over 600 years earlier- they discover that ITC has used their quantum computer to build the after mentioned time machine. And now these students will have to put all of their knowledge of medieval France to the ultimate test as they travel back in time to April 7, 1357, to try to rescue the professor. 

I think the book succeeds for its actions sequences, but comes off more so as an overlong adventure tale. And like Jurassic Park, Timeline rings a cautionary bell about the potential of self-serving Big Business to who use science in a horrible way as an instrument of profit for the few at the expense of others.

The Comforters by Muriel Spark (1957)

“Caroline Rose is plagued by the tapping of typewriter keys and the strange, detached narration of her every thought and action. Caroline has an unusual problem - she realizes she is in a novel. Her fellow characters also seem Laurence, her former lover, finds diamonds in a loaf of bread - has his elderly grandmother hidden them there? And Baron Stock, her bookseller friend, believes he is on the trail of England's leading Satanist.” 

I will grant you, based on my many previous books that I’ve read, this is very different from my usual reading material, but thoroughly enjoyable. It’s an interesting first novel from Sparks (see below) but she writes with a deft hand and The Comforters abound with sly, witty humor that British are still famous for. And it’s fun to see Caroline recognizing that everything happening is just a bit too weird and so she begins to suspect that they are all characters in a book, and that she, somehow, is hearing the author at work. A lot of its charm is that Sparks blends a bunch of genres in what amounts a social comedy. Something rare in books released in the time period. 

So, yes, as one character notes towards the end (in a meta-fiction way, long before the word was coined) maybe the book is “straight old-fashioned story, no modern mystifications. End with the death of the villain and the marriage of the heroine", but the book is an often funny and fascinating look into fate and the untold. 

The Comforters was Muriel Spark’s first novel, though she is mainly remembered for her 1961 novel The Prime of Miss Jean Brodie, which was adapted into a Tony Award winning play in 1968 and the successful film adaptation in 1969 that scored the late Dame Maggie Smith an Oscar for Best Actress. 

She drew on experiences as a recent convert to Catholicism and having suffered hallucinations due to using Dexedrine, an amphetamine then available over the counter for dieting. The idea for the plot came to Spark after a serious mental breakdown, during which she believed that there were secret word game style codes in the poems of TS Eliot. She became so convinced by this that she would spend night after night encoding. She finally became better as a result of improved nutrition (she had been chronically malnourished) and a rest cure funded by a number of writers, including Graham Greene. TS Eliot was also moved to write her a letter, reassuring her that there were no such codes in his work.

Books: The Elementals by Michael McDowell (1981)

“On a split of land cut off by the Gulf, three Victorian summer houses stand against the encroaching sand. Two of the houses at Beldame are still used. The third house, filling with sand, is empty...except for the vicious horror which is shaping nightmares from the nothingness that hangs in the dank, fetid air. The McCrays and Savages, two fine Mobile families allied by marriage, have been coming to Beldame for years. This summer, with a terrible funeral behind them and a messy divorce coming up, even Luker McCray and little India down from New York are looking forward to being alone at Beldame. But they won't be alone. For something there, something they don't like to think about, is thinking about them...and about all the ways to make them die.” 

The oppressive heat of the Beldame and the creepy houses –especially that third one being consumed by sand- that exists on a small strip of land that turns into an island during high tide is the setting for this Southern Gothic tale from a nearly forgotten writer. As I mentioned in my reviews of his lighter fiction (the Jack and Susan series), McDowell was a prolific writer in the 1980s, releasing a number of horror tales that came and went (most likely due to the fact that this era was full of them) and none were ever adapted. Yet beyond his helping bring the original Beetlejuice and A Nightmare Before Christmas to the screen, and having a life cut short due to AIDS, his work in the horror genre rises above the usual template of the time period. Here, in The Elementals, we get tale that takes some the rudiments of the haunted house genre and unrolls a story that, while slow at times, none the less builds to an exciting conclusion. 

In Michael Rowe’s Introduction, he spills some secrets about two the characters that now make sense after I’ve finished book. Not sure if it’s actually a spoiler, but I’m glad I did not read that part for starting the book. But what I’ve read of McDowell, I’m sort of glad I’m finding his fiction now (and thanks to the small imprint Valancourt Books, because it’s possible these works would’ve vanished forever without them), as an adult because I can get a fuller understanding of what he was doing here. 

I’ve gotten other books by him now to read (some horror, some detective fiction, some parodies of Sidney Sheldon), and will probably get more over the coming months. He’s hard to find used, and what is out there is expensive, but I think he’s worth it. I mean, in his short 49 years, he wrote multiple books in multiple genres and presented them each in a unique and original way.

The Elementals is worthy to seek out.