“In the grip of the worst drought in a century, the farming community of Kiewarra is facing life and death choices daily when three members of a local family are found brutally slain. Federal Police investigator Aaron Falk reluctantly returns to his hometown for the funeral of his childhood friend, loath to face the townsfolk who turned their backs on him twenty years earlier. But as questions mount, Falk is forced to probe deeper into the deaths of the Hadler family. Because Falk and Luke Hadler shared a secret. A secret Falk thought was long buried. A secret Luke's death now threatens to bring to the surface in this small Australian town, as old wounds bleed into new ones.”
While The Dry has the familiar set-up common with this genre (prodigal son returns, murder of childhood friend you’ve not seen in decades, bitter old men who hates everyone), the debut novel by Australian author Jane Harper reads like she’s been publishing for a while, as writing and pacing were excellent, and had some fully fleshed characters.
At its core, it’s a recognizable police procedural more than a whodunit (though it is, and while I kind of figured it out, the reasons were shocking), but because the characters are distinctive and recognizable, you get swept up in their drama. And for a small town deep into the suburbs of Melbourne, it’s got a bunch of secrets and people who seem out of place there. I mean, it’s not an insular place, it welcomes new people, but clearly the secrets the town keeps is just as killing as the drought.
It’s atmospheric and dirty, dusty and dry. It’s dark, and for those who dislike children being killed might be turned off by it, though it’s not really a violent book. Still, it’s a rock-solid debut and great for readers of a slow-burning crime drama.