18 January 2014

Books: The Hobbit by J.R.R. Tolkien (1937)




After putting it off for a while, I re-read J.R.R Tolkien’s The Hobbit. After seeing the first two films from Peter Jackson, and reading many long-time fans criticism of him taking a book that is less than 300 pages and turning it into a trilogy of films, I wanted to see –as I read along- whether the criticism was truthful. 

I very rarely re-read books, but then I first read The Hobbit back in the late 1970’s. And by the time the 1980s had begun I had read The Lord of the Rings and then was reading one fantasy novel after another by authors who were inspired by Tolkien. But the original, the grandfather of all epic fantasy, was one book I only read once. I will admit part of the reason was that Gandalf disappears for such a long time, and I grew bored with Bilbo’s adventure with dwarfs. I sort of just did not want to bother with it again. 

When Jackson’s film adaptations of LOTR came out in 2001, I began to re-read those, but quickly found myself gravitating to other books (and by the early 90s I had read so much fantasy, I was sort of finished with the genre). But I started with The Fellowship of the Ring and not The Hobbit, getting about a 120 pages in before abandoning it. And since then, since The Return of the King came out in 2003, I’ve been tempted to re-read the entire series again, but they always lost out to the other stuff I wanted to read first. 

The idea of re-reading The Hobbit came up again when Jackson was still filming the first movie (which was then, at the time, only to be two films). It was just after Borders closed in September of 2011 that I toyed with the idea of reading The Hobbit again. And for a time, I did start it. But, as always, things got in the way. Part of it was I was looking for work and part of it was I had started to read George R.R. Martins Game of Thrones. As I noted earlier, I had somewhat given up the fantasy genre, so Martin’s Song of Ice and Fire series was going to be the first time in a decade I was reading fantasy again (though I was only able to get through the first three books in that series).

As 2011 drifted into 2012, the prospects for me reading The Hobbit grew thin. I still wanted to read the book before the film came out in December of 2012, but that never happened. And I had all of 2013 to read it as well, but again, other works I wanted to read stole me away. Then I saw part two of The Hobbit and then began reading all the comments about what Jackson was doing to the book, how he was expanding it more for money than artistic merit.

Anyways, as I began to re-read the book, I noticed that the first movie –beyond the additional material- actually hews to the plot. Obviously the prologue Bilbo narrates is not in the book per se, but it goes a lot of ways to explaining plot points for the rest of the book. And yes Frodo is not in it as well, and yes, a lot of sequences in the book –like the encounter with the Trolls to name just a few (which happens around page 40 in the novel and takes place an hour into the film) - were expanded, but to be honest, I think it works better. As I read, I realized for the first time that Tolkien was very lite on explaining things (and its obvious as the popularity of the book grew and then the 16 years or so between the 1937 release of The Hobbit and the beginning of The Fellowship of the Ring, he became aware of some of the short comings within that prequel book and added a ton of material at the end of The Return of The King). And what Jackson expanded seems fairly logical (like actually showing us what Gandalf was up to during his missing times with Bilbo and the dwarfs) and actually makes the film –which eventually- will be seen as one massive one when adding The Lord of the Rings into it, make more sense. 

So the first movie essentially covers the first 111 pages of the novel (in its mass market form, but may be different depending on what format the book it that you have), while the second movie covers the next 110 pages or so. This is where a lot of the second movie deviates from the novel (though, in essence, it does follow it still, except the adventures in the book take scant pages). The whole Lake-town is hugely expanded, with Bard introduced much sooner in the film than the book.  And we are given an expanded view of the elves (along with the obvious inclusion of Legolas and the new character of Tauriel) with the Elvenking –as written in the book- given his full name of Thranduil (which Tolkien confirmed later in other writings). With the added sub-plot of Azog (mentioned briefly in the beginning of the novel and again towards the end) that was introduced in the first film and continued into the second film (which gave the whole barrel escape from the elves a bit more weight) I see where people might have issues with what Jackson is doing. 

But given that the Tolkien Estate was not pleased with LOTR and was not releasing any more work by the late author (The Silmarillion would’ve helped, as it contains the backstory to the earliest events of Middle-Earth that predate The Hobbit, but also contains bridging information between The Hobbit and Fellowship of the Ring) to any of the studios, what material that Jackson, Warner Bros., New Line Cinema and MGM did have and were not using was going to go to waste. And assuming that it’ll be a generation or more before anyone attempts to remake these films (depending on what film will look like 20 years or so down the line) by Jackson doing it this way you’ll have one tale, essentially, told through six films. And unlike George Lucas and his six Star Wars films, Jackson has made these prequels –despite being made ten years after the first trilogy- so they will weave together more uniformly. Maybe, somewhere down the line, people will always assume The Hobbit came first in the film series because it matches so seamlessly with The Lord of the Rings

So we know that most of the third film will expand the last 75 pages of the book with added material from the appendix’s featured at the end of The Return of the King book. The Battle of the Five Armies, which seemed to end as quickly as it began in the book, will probably be the greatly expanded (and I’ll be interested in seeing how the battle between the folks of Lake-town and Smaug is enhanced), even though I feel it contains an deus ex machina ending.

30 December 2013

Books Read in 2013



I conclude the year 2013 with reading 38 books –down three from last year. That also lessened my page count, as I read 2,900 less pages then in 2012. Of course last year I read multiple books that were close or well over a 1,000 pages –and had I read A Feast of Crows and A Dance of Dragons by George R.R. Martin, I might’ve reached my previous page count, but probably not as many books. The longest book I read this year was 820 pages.  

I’m unsure if I’ll even get to those Martin books in 2014. Like always, I never set a plan –just go where my fancies take me.  Still, I have a few John Irving books to read and there will be another Stephen King book (but it was a remarkable year in that department, as I read two King books plus his two sons, Owen King and Joe Hill) sometime in 2014. I’ve got plenty to read, and will add more as the year unwinds. 

And funny, as much as I try to avoid series books, I seem to end up getting caught up in them. As age and internet seem to sap my will to read, I ruminate that there are many stand-alone books I should be reading and not spending time reading multi volumes of never ending series (I mean, unless you are a fast reader, the 14 volume Wheel of Time series can take up a whole year or more to complete. Who’s got the time for that?). Plus I think I have less time in front of me than behind and I feel the need and desire to read as much as possible and waiting on series books seems pointless to me. 

But like I said: I never have a set plan. Happy reading!! Happy New Year!!!

Books read in 2013:

01.   Bossypants by Tina Fey (275 pages)
02.   Earthbound by Joe Haldeman (258 pages)
03.   West of Here by Jonathan Evison (484 pages)
04.   Elliot Allagnash by Simon Rich (224 pages)
05.   Until I Find You by John Irving (820 pages)
06.   Carter Beats the Devil by Glen David Gold (480 pages)
07.   The Rook by Daniel O’Malley (482 pages)
08.   Tinker Tailor Soldier Spy by John La Carré (381 pages)
09.   In One Person by John Irving (425 pages)
10.   Redshirts by John Scalzi (314 pages)
11.   The Company of the Dead by David J Kowalski (750 pages)
12.   Double Feature by Owen King (412 pages)
13.   Putting on the Ritz by Joe Keenan (325 pages)
14.   What in God’s Name by Simon Rich (223 pages)
15.   Hope: A Tragedy by Shalom Auslander (292 pages)
16.   N0S4A2 by Joe Hill (686 pages)
17.   Inferno by Dan Brown (463 pages)
18.   Cutting For Stone by Abraham Verghese (658 pages)
19.   Murder As A Fine Art by David Morrell (347 pages)
20.   Miss Peregrine’s Home For Peculiar Children by Ransom Riggs (352 pages)
21.   Lost Boy, Lost Girl by Peter Straub (336 pages)
22.   In The Night Room by Peter Straub (368 pages)
23.   Joyland by Stephen King (283 pages) 9, 638
24.   Lexicon by Max Barry (387 pages)
25.   The Cuckoo’s Calling by Robert Galbraith (455 pages)
26.   East of Eden by John Steinbeck (601 pages)
27.   Leviathan Wakes by James S. A. Corey (651 pages)
28.   London Falling by Paul Cornell (395 pages)
29.   Doctor Sleep by Stephen King (528 pages)
30.   Caliban’s War by James S. A. Corey (595 pages)
31.   Throne of the Crescent Moon by Saladin Ahmed (274 pages)
32.   Two Boys Kissing by David Levithan (196 pages)
33.   Abaddon’s Gate By James S.A. Corey (539 pages)
34.   The Lives of Tao By Wesley Chu (456 pages)
35.   The Deaths of Tao by Wesley Chu (460 pages)
36.   The Gates By John Connolly (293 pages)
37.   The Infernals by John Connolly (309 pages)
38.   The Creeps by John Connolly (319 pages)6,458 = 16, 096 pages

29 December 2013

Books: The Creeps By John Connolly (2013)



 
In John Connolly’s third book with Samuel Johnson and his dog Boswell, the author continues his quirky, often hilarious look at Hell, demons who aren’t as evil as word “demon” defines them, and the Multiverse.

Much like The Gates and The Infernals, in The Creeps Samuel must deal with the Great Malevolence and Mrs. Abernathy, who despite having her atoms scattered throughout the Multiverse for her failure to allow Hell on Earth and then take revenge on Samuel, is using what part of her that still remains –her deep hatred for the boy- to destroy Biddlecombe and eventually the entire Multiverse. But Samuel, as always, has help in Nurd and Wormwood along with assorted dwarfs, policemen and even the scientist of CERN. And then there is the upbeat and generally happy gelatinous cube sliming around. 

Once again, Connolly has created a weird world, where the battle against the forces of evil come off as a delicious romp that seems to combine all the best elements of Douglas Adams, Monty Python, Christopher Moore and Terry Pratchett into an entertaining series. Connolly also continues to use the footnotes, which are just as informative as they are funny. I admit they threw me at first in The Gates, but I’ve found them important to the story. 

But alas, it seems Connolly brings his trilogy to a close with The Creeps, but he did leave a little wiggle room for more books dealing with Samuel Johnson and his faithful dachshund Boswell. I’ll be there if he does.

26 December 2013

Books: The Infernals by John Connolly (2011)



"Samuel Johnson is in trouble. Not only is he in love with the wrong girl, but the demon Mrs. Abernathy is seeking revenge on him for his part in foiling the invasion of Earth by the forces of evil. She wants to get her claws on Samuel, and when Samuel and his faithful dachshund, Boswell, are pulled through a portal into the dark realm, she gets her chance."

Why this book is called The Infernals is beyond me. While there are such creatures in this second Samuel Johnson book, they really don’t play too much into the plot –Mrs. Abernathy is using their help to bring her back into the good graces of the Great Malevolence. The original UK title was Hell’s Bells, and I’m curious as to why the US publisher changed the title. Of course, it probably has to deal with the word Hell in the title of a YA novel. The Puritan Americans or those One Million Mom nutcases would probably go off on some tangent if a book geared to “impressionable” young people had a title such as Hell’s Bells

Then again, I think folks outside the United States think Americans are simple minded folks who never grasped the concept of satire. And they’re probably right.

Anyways, Samuel and his dachshund Boswell are pulled into Hell by Mrs. Abernathy, who also manages to open a portal from her (it?) Multiverse to ours. The only thing is, she also snags two police officers, an ice cream man and his truck and four antisocial dwarves –Connolly’s Magnificent Seven? This time, the book takes on a quest like saga, with Samuel traveling through Hell in search of way back to his own dimension, meeting along the way all sorts of demons, damned souls and what not. Meanwhile, Nurd, Wormwood and the Aston-Martin used to close the doorway between worlds are back, and we learn there is an emotional connection between the demon and Samuel and Nurd sets out save Samuel from Mrs. Abernathy. 

Once again Connolly sums up his dry wit and ability to handle multiple plots (which, for a book marketed towards younger adults, might be a bit troublesome) along with talking about time travel and other aspects of the Multiverse –and yes, the footnotes come back as well.

While the Samuel Johnson books are an easy read, that should not be taken as a fault. They’re entertaining and that is what is more important. Adults and kids will simply find the tale of good versus evil given a nice twist. Now The Creeps beckon.