Like many of a certain age who grew up with Star Trek and
its various spin-offs, John Scalzi’s Redshirts is a brilliant nod to the workers
on the lower decks of a starship; though, more to the point, the red shirted
security men and women. We know that any security guard who beamed down with
Kirk, Spock and McCoy crew usually ended dying before the opening credit –though
they could also be killed off to heighten commercial act breaks through the
rest of the episode.
This is a comic riff on the phenomenon of those apparently expendable
and unending supply of security guards who’s jobs, it seems, is to be shot, stabbed, eaten or crushed into stone dust so the main cast can emote and keep
the narrative going (in that sort of “we have to do this in the memory of
security guard #4”).
Set in the 25th century and centered on the crew of the
Universal Union flagship Intrepid, Redshirts focuses on ensign Andrew Dahl, who
just transferred to the ship, along with a few other newly assigned security
guards. But only a few hours on the ship, Dahl thinks something odd is going on
and confronts some of his fellow crew members:
“So, did you guys get asked about away teams?” Duvall asked,
as she brought her mess tray to the table where Dahl and Hanson were already
sitting.
“I did,” Hanson said.
“So did I,” Dahl said.
“Is it just me, or does everyone on this ship seem a little
weird about them?” Duvall asked.
“Give me an example,” Dahl said.
“I mean that within five minutes of getting to my new post I
heard three different stories of crew buying the farm on an away mission. Death
by falling rock. Death by toxic atmosphere. Death by pulse gun vaporization.”
“Death by shuttle door malfunction,” Hanson said.
“Death by ice shark,” Dahl said.
“Death by what?” Duvall said, blinking. “What the hell is an
ice shark?”
“You got me,” Dahl said. “I had no idea there was such a
thing.”
“Is it a shark made of ice?” Hanson asked. “Or a shark that
lives in ice?”
“It wasn’t specified at the time,” Dahl said, spearing a
meat bit on his tray.
“I’m thinking you should have called bullshit on the ice
shark story,” Duvall said.
Scalzi is brilliant at the whole absurdity of the redshirt
trope, and yet does not make a mockery of it. The characters are wonderfully
drawn and the book itself is designed to poke fun at all the illogical fallacies
and cheap tricks –or what Scalzi calls lazy writing- to get their heroes to the
next episode, sans a couple of security people.
It also has some surprising emotional heft to it, and most
of the humor is spot on. Also, readers of Jasper Fforde may find a familiarity
with it as well.
I really liked it.
No comments:
Post a Comment