I’m a sucker for time travel stories, as I’ve written about
before. But after reading Connie Willis To Say Nothing of the Dog some years
ago, I discovered that my time travel stories must be literate as they are
entertaining. Another words, an author who actually understands time travel and
tries to explain its potential paradoxes and does not use it as a mere prop to
their stories.
Part of the enjoyment of Spanish author Felix J. Palma’s The
Map of Time is how much enjoyment he gets out of making time travel work in
1896 and then pulling the rug out from under his readers.
The book is essentially three novellas connected by The Time
Machine author H.G. Wells. It begins in 1896 with a character named Andrew
Harrington –an annoying personality of utter self-pity that made the early
chapters tedious to get through-who is planning to kill himself 8 years after
his prostitute girlfriend is last victim of Jack the Ripper (even though this
is science fiction, I find the idea of some upper crust person that Harrington
is supposed to be would’ve fallen in love –and paid again and again- to spend
time with a prostitute with a heart of gold not to be that believable). But is
prevented by doing so by his cousin Charles, who tells Andrew there is a way to
save his beloved. And that way? Time travel via Murray’s Time Travel company.
In the wake of the success of Wells’ The Time Machine, many
publishers are trying to capitalize on the fascination of time travel along
with a man named Gilliam Murray, who can open a portal to the 4th
dimension and travel to the year 2000 and witness the final battle between the
humans and the automatons that have enslaved the future. But Murray informs
Andrew that his “machine” can only travel to the future –May 10, 2000- and not
the past. But while Andrew is disappointed, Charles then hatches an idea that
includes a visit to H.G. Wells, who for reasons that will not be explain until
later, has that same time machine he described in his book sitting in his
attic.
The second part deals with a woman who feels out of time in
Victorian London and dreams of a future where she can choose whom she wants to
be –and it’s clear that Palma is riffing on The Time Traveler’s Wife and even
the Terminator in this segment. Meanwhile, the third part tells a tale of a
Scotland Yard inspector who is trying to find a killer who seems to be offing
his victims with something that looks like a heat ray. Which then begs the
question, how do you arrest someone who hasn’t been born yet?
Yes, the book is extremely metafictional, which may dissuade
hard core science fiction fans, but Palma writes with such zeal and panache, I
ended up enjoying the book way too much. I mean, where else can you read a tale
where Victorian characters spout off about parallel universe, about how and if
you can change the past, and what would you do if you continued to go same time
in future, would you eventually meet a version of you? Palma also references
Doctor Who, Time Bandits (and Terry Gilliam), Jules Verne and even Planet of
the Apes. There was even a part towards the end where I thought Palma was going
to drag out a certain Doc Brown and his time traveling car.
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