We begin at a New Year's party in 2008, with a snowstorm that
is blowing through Manhattan. And while the economy is collapsing, none of that
matters to a handful of guests at a holiday party. Five years after their
college graduation, the fiercely devoted friends remain as inseparable as ever:
editor and social butterfly Sara Sherman, her troubled astronomer boyfriend
George Murphy, loudmouth poet Jacob Blaumann, classics major turned investment
banker William Cho, and Irene Richmond, an enchanting artist with an
inscrutable past. Amid cheerful revelry and free-flowing champagne, the friends
toast themselves and the new year ahead—a year that holds many surprises in
store. They must navigate ever-shifting relationships with the city and with
one another, determined to push onward in pursuit of their precarious dreams.
And when a devastating blow brings their momentum to a halt, the group is
forced to reexamine their aspirations and chart new paths through unexpected
losses.
In many ways, I found Why We Came To The City refreshingly
old fashion in its tale, but also remarkably present day in its themes. I mean,
we’ve seen many authors attempt to write a love letter to the city of New York,
and we’ve seen many stories featuring characters moving through its veins,
attempting to survive and live in a place that seems magical most of the time,
but like a thief in the night, it can take things from you. So when you read
the opening sentence, you almost become instantly hooked into the coda of the
novel: "We came to the city because we wished to live haphazardly, to
reach for only the least realistic of our desires, and to see if we could not
learn what our failures had to teach, and not, when we came to live, discover
that we had never died.”
I admit I was at first reluctant to read the book, feeling
that we’ve seen this story before, but after reading Kristopher Jansma’s debut novel The
Unchangeable Spots of Leopards back in January, and the opening sentence of
this book, I knew no matter what, I was going to be in for a linguistic treat.
The novel is warm, often funny, sad at times, and a bit sentimental, but as a
love letter to New York, it brims with so much charm, so much love, you can
sometimes over look the over-romanticizing.
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