“Lori Fisher hunts
monsters. Not with a sword or a gun, but with an interdimensional creature
called Handler. Together they take down “feeders”—aliens who prey on mankind.
When Lori touches a feeder, Handler’s impossibly large jaws appear and drag the
beast into another dimension. It’s a living—or was, until a job for the Lake
Foundation goes wrong, and Lori stumbles across the Nix, a group of mutant
teenagers held captive on the docks. Now the Lake Foundation is hunting Lori,
and if they find Lori, they find Ben, the brother Lori would do anything to
protect. There’s only one thing to do: strike first. Lori teams up with the Nix
to take on Lake, and to discover why the Nix were kidnapped in the first place.
But as she watches their powers unfold, Lori realizes the Nix are nothing like
her. She has no powers. She has…Handler. Maybe she’s not the monster hunter
after all. Maybe she’s just the bait.”
Ultimately, Feeder
is a book that forces the reader to go with the flow of the narrative –the
pacing starts out fast and continues throughout (a bit on that later). Weekes,
oddly for this genre, spends little time explaining anything, leaving what
world building there is to brief comments and random happenings. As an example,
the world’s water levels have risen, leaving some cities using boats instead of
cars, and no real explanation is ever given as to why this happened (global
warming or aliens or something Weekes has chosen to slowly reveal over
subsequent books?) and there seems to be some sort of collective brain washing
that prevents people from really examining why this has happened. This can be
an odd choice to foist on a reader, and might be frustrating for those who love
epic world building (this book is less than 300 pages), but it does not take
too much away from the fun.
It’s also clear
that Patrick Weekes took the criticism he got from Rogues of the Republic fantasy
trilogy –one filled with a variety of inclusive characters generally not seen
in that genre- and doubled down them for Feeder. But this also causes a small
part of the problem that the book does have –the narrative takes place over
just five days, and there seems to be a rush to get these Nix folks and Lori
paired off. Seems hollow and unrealistic (yes this is a science fiction novel,
but like everything, the tales needs to run on some internal logic, or it all
falls apart). So while the book is well paced, as I noted, we get little or no
room for these romantic relationships to happen organically.
Also, the world
building could’ve been tightened up. I’m unsure if that would effected Weekes
choice to keep the pacing going (some authors get distracted by world
building), but if this is going to be a start of new series, maybe he felt he
did not need to reveal so much? But it was distracting at times, because I was
continually pulled out of the narrative when characters said things that
should’ve be elaborated on, but wasn’t. So my mind kept asking: where do the
Feeders come from and why there some sort of collective amnesia effecting
people about the worlds water rising?
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