“Seventy years ago in southwest California, Dr. Landry
killed his wife's lover when he found them together; she then flung herself and
her illegitimate son over a nearby cliff. Dr. Landry disappeared. Unaware of
the bloody murder, architectural draftsman Peter Travers now lives in the
Landrys' old cabin. When his ex-wife Amanda and their son David disappear just
before the two are to go on a vacation to Hawaii, Travers's anguish is
exacerbated by the appearance of ghostly apparitions, some of whom seem to be
Amanda and David, while others are the figures of those involved in the earlier
tragedy. Also plagued by spectral visitations are Lance Klein, a real estate
developer with a shady past and Bernard Pomeroy, a deeply disturbed salesman
with an eye for blackmail.”
Much like his long-time friend and fellow Southern
California based author Tim Powers, James P. Blaylock (known for his fantasy novels
of the late 1980s) is attempting a Gothic style (but not dark fantasy) ghost
story set within the present day foothills of Orange County. But Night Relics –the
first of a trilogy of ghost tales set with-in SolCal- works for a while, and
then it sort of falls apart. I felt that the whole disappearance of Peter’s
wife and child –which was why I wanted to read about) and the subsequent search
for them took a back seat to the very unappealing and annoyingly dumb Pomeroy
and his interactions with Lance Klein. I
also found it interesting that the disappearance of a white woman and child did
not raise suspicion of the police. I mean today when this happens, its huge
news. And granted, this book was released in 1994, long before 24/7 news and social
media, but husbands’ making their spouses disappear is a believable, if
overused plot trope. So the fact that
the police seem almost apologetic Travers wife and sons has virtually vanished off
the planet and seem so unconcerned is very weird. Then again, should I be happy
Blaylock did not go there?
So yeah, while I enjoyed Blaylock’s prose and fine
descriptions of the area, but the plot wears thin because it’s a bit overlong,
and because of that problem, we learn what’s happening well before the
characters do.
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