"It is a world like our own in
every respect . . . save one. In the 1950s, random acts of possession begin to
occur. Ordinary men, women, and children are the targets of entities that seem
to spring from the depths of the collective unconscious, pop-cultural avatars
some call demons. There’s the Truth, implacable avenger of falsehood. The
Captain, brave and self-sacrificing soldier. The Little Angel, whose kiss
brings death, whether desired or not. And a string of others, ranging from the
bizarre to the benign to the horrific. As a boy, Del Pierce is
possessed by the Hellion, an entity whose mischief-making can be deadly. With
the help of Del’s family and a caring psychiatrist, the demon is exorcised . .
. or is it? Years later, following a car accident, the Hellion is back, trapped
inside Del’s head and clamoring to get out.
Del’s quest for help leads him to Valis, an entity possessing the science
fiction writer formerly known as Philip K. Dick; to Mother Mariette, a nun who
inspires decidedly unchaste feelings; and to the Human League, a secret society
devoted to the extermination of demons. All believe that Del holds the key to
the plague of possession–and its solution."
Last summer I read Daryl Gregory’s sixth book, Spoonbenders, and enjoyed it a lot. It’s taken me this long to get to his brilliant debut novel Pandemonium. Gregory apparently references a lot of his childhood growing up in suburban Chicago, by not only setting the book there (and writing about places, roads, and towns I know very well) but also (probably) his love of comic books, horror, and classic science fiction writers. It’s a subtly alternate history novel where Eisenhower is assassinated, where Richard Nixon became president earlier, and where Philip K. Dick and the English band The Human League are possessed by demons (which Gregory only sort of hints at their origins). By far, the book is a lot deeper than its premise belies, as Gregory takes a scientific and biological study approach to mental illness and adds demonic possession into the mix. It’s often funny but mixed in is an underlying feel of sadness and even loneliness. It’s a remarkable first book.
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