While I enjoyed the book, it
never becomes clear which genre author John Fram was trying emulate. It’s a mix of Stephen King’s IT, with Gothic tropes of Twin
Peaks, and Friday Night Lights. But it adds a murder mystery as well and these
mixtures create some weird juxtapositions. It also relies on stereotypes these
small town thrillers seemly always have: gun happy southerners, mean girls, and
a sense that everyone living in under a veil of ether and ignorance of what
it’s men folk are doing. The book also uses closeted and promiscuous gay men to
point where you wonder, just as the deputy Clark does several time, how many
gay men live in Pettis County, Texas (though some appear at least bisexual or
just straight dudes who get-off on having other men –some underage- get them
off). Still, while the age of consent in Texas may be 17, no one calls out the
pedophilia and that could leave a bad taste with the reader.
The ending is a bit muddled and
along with some excessive detail, a grab bag of too many characters, the paranormal
subplot sort of gets lost in the detail. So was it a murder mystery or was it
about an area just outside an obscure small town in middle of nowhere Texas, haunted
by some monster who seemly only existed to taste the blood and fear of teenage
boys shamed by their sexuality?
As murder mystery, the book works
until it doesn’t. As supernatural tale, well, I had hopes for a better
explanation. Still, in some ways, it’s a fairly well-written tale for a debut
novel. It was overlong and could’ve used a better editor, but I also kind of
liked the idea. It’s provocative and bound to cause some discussions on whether
Fram went a bit too far never calling out the more questionable antics of
town that uses teenage boys as sexual batteries to keep whatever lives
underground happy.
Still, nice having a gay hero.
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