Suburban Dicks is a very
entertaining book, most of the time. Legendary comic book writer and co-creator
of DEADPOOL, Fabian Nicieza’s debut novel is a send-up of small town racism,
murder, and the effects it carries decades later. The idea is nothing new, as
we’ve seen these tales of what people will do to protect their lives, their
family name, and the town they grew up in for generations from the “new” people
moving in. It is a very progressive tale, filled a multicultural characters,
some wry humor, and desire to sweep away the darkness that sometimes exists in
these conclaves of America where white people fear they’re being replaced.
I did embrace the progressive ideology here, that diversity and
multiculturalism are America’s strengths, even if the book can be a bit shallow
here and there. But for those who feel that the word “progressive” and
“liberal” are dirty words, then they may find this book a bit less interesting,
especially as one character points out:
“Except
that there are 50 years of institutional racial bias straining all aspects of
this case. But be very aware and make it plainly clear that it was a young
African-American man killed in 1965 and a young Indian man killed now. You have
a Chinese mayor who has completely supported the investigation. You have
Hispanic FBI agent leading the investigation in Newark and you have a stubborn
New York Jew talking to you all about it now.”
But that leads to another uncomfortable question: “What is the likelihood that a white police chief, a white former police chief, or a white farmer will be convicted of anything?”
It is here, I suppose, were most people who hate the whole idea of America becoming so mixed, will throw their hands up.
The book has some great
characters, but the relationship between journalist Kenny and profiler Andrea stretches
some credibility. The idea is that they have a love/hate relationship, but, at
times, this seemed because the story required it more than something done
organically. It’s hard to do in a book, but it seemed these two characters had
zero chemistry. Andrea’s husband Jeff also gets a short-shift here. We’re told
that something happened in his life, that he did something bad, which forced
them to move and put them in the current financial state they’re in (which made
me wonder why they were having a fifth child). But the reveal comes late in the
book and seemed like Nicieza editor reminded him of this sub-plot and how it
should be resolved before he reveals the murder of the kid.
Finally, the book takes a good, reliable premise that races the pages away, only to lose itself in the weeds about three-quarters in, before a satisfy and pretty funny ending. I’m not sure Nicieza can expand this into a franchise, even though he’s at work getting the book adapted for streaming, but as a one-and-done mystery, it’s a fine addition to the genre of the darkness that exists in small towns.
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