“Alan
Grofield, still in the arms of Elly, but preparing to return to the United
States to see his wife, when receives a message asking him to go to Puerto Rico
as a favor to a friend to help out a woman in distress. Curious, Grofield flies to Puerto Rico and meets the
woman and her several houseguests at an isolated mansion out in the
countryside. Grofield and the lady immediately annoy each other and he decides
not to take the job. However, before he can leave someone in the house is
murdered. It's clear that the killer must have either been a guest or a member
of the staff, and Grofield is everyone's number one suspect. Grofield becomes
suspect number one, but to clear his name, he relunctantly assumes the role of
detective. But can he amuse the husband of the murdered woman –a crime boss
himself- until he can discover who killed her?”
The Dame is the second of
Westlake’s four pseudonymous Parker spin-off novels starring actor-turned-thief
Alan Grofield, and follows on almost directly from the first book, The Damsel.
The premise is a bit wobbly and vague here. While Grofield is more wittier and
less violent than Parker, he still is a smart man and I began to wonder why he
would take this job –he still has his take of the money from his recent adventure
with Parker (see The Handle)- mostly because that gig set him up with enough
cash for a year or more. So why go to Puerto Rico to begin with? Thus it
becomes a straight whodunit with plot contrivances and some action thrown in to
remind readers that Donald E. Westlake is writing under his hard-broiled noir nom
de plume of Richard Stark.
And sort of like The Damsel,
Grofield no longer has some of the quirks Westlake created for him in his
appearances in the Parker books, which adds to the boring murder mystery. Another
word, some of his wittiness has been diluted, making The Dame sit awkwardly
between two writing genre styles, neither tough, smart or violent enough to be a good
Parker novel nor funny enough to be a good Westlake caper.
Still, it is Westlake and book
does have some redeeming values –the murder mystery is thin, but him playing
detective and asking questions does sparkle. Maybe it’s only for those who
consider themselves a Parker completists –which I’m not, but these books are
still better written than most other crime novels of the modern age.
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