“In
Victorian London, Charles Dickens and his protégé, author Wilkie Collins, make
the acquaintance of the shrewdest mind either would ever encounter: Inspector
William Field of the newly formed Metropolitan Protectives. A gentleman's
brutal murder brings the three men together in an extraordinary investigation
that leads Dickens to the beautiful young actress Ellen Ternan, who would
become the love of his life but who now stands accused of murder.”
Dan
Simmons took on Dickens and Collins in Drood,
which I read back in 2009. Where Simmons book focused on final five years (1865
to 1870) of the authors life and his unfinished final novel, adding elements of
the supernatural and an unreliable narrator that was Wilkie Collins, Palmer’s
tales starts in 1851 where Dickens and his friend become embroiled in murder
and mayhem in Victoria England in the middle of the 19th Century.
It’s
interesting to note, that this is no cozy mystery the English do so well, but a
dark tale with a dark subject manner. It has a meanness to it that will prove
either fine with some readers or a distraction for others. All the female
characters are terrible, written as barely human. They’re either whores, or
just on the cusp of being whores. Field the cop is acts more like a modern
crime scene investigator than a police officer limited by technology of the
era. Meanwhile, Wilkie spends most of the time pining for Meg, another “fallen”
women, who highlights the double standards for men and women. She has almost no
agency whatsoever, which may be true of the time period, but is in no way
charming today.
So yes, the novel seems a bit overtly melodramatic, which could be Palmer’s point, as it’s a reminder of the hypocrisy that was rampant in those repressed Victorian times. Historically, as well, Palmer postulates the meeting between Ellen Ternan –who would become Dicken’s mistress- five years before she was introduced to his fellow society people. Here again, is the pretense of the period, as Ternan was 15 in 1851, while Dickens was 39. Apparently, by 1856, a 20-year-old being with a 44-year-old was seen as less scandalous. This was the first of four novels in this series (I have book two, but will probably not hunt down three or four). Beyond the less than pleasant subject manner, Palmer also could not help but add a bit of modern style prose, especially in the fight and chase scenes, which go on way too long and would not be out of place in a modern cop drama.
No comments:
Post a Comment