Showing posts with label chicago. Show all posts
Showing posts with label chicago. Show all posts

24 May 2016

Books: Chicago By Brian Doyle (2016)




In what is essentially a love letter, a sweet valentine to Chicago, author Brian Doyle delivers, with great skill, a novel about a certain time in the city I was born in (though grew up in its suburbs) with such intimate detail, the reader can easily feel the strum and thrum of the city, smell the empanadas of Mrs Manfredi, and smell the waters of that great lake where the city grew up around.

“On the last day of summer, some years ago, a young college graduate moves to Chicago and rents a small apartment on the north side of the city, by the vast and muscular lake. This is the story of the five seasons he lives there, during which he meets gangsters, gamblers, policemen, a brave and garrulous bus driver, a cricket player, a librettist, his first girlfriend, a shy apartment manager, and many other riveting souls, not to mention a wise and personable dog of indeterminate breed named Edward.”

Having been born there and lived within its shadow for most of my life, Doyle’s Chicago reminds me why I still love that sometimes difficult city, and why LA (where I live near now) will never be anything but runner-up. 

It begins in the fall of 1978 and into the early 1980s, and the unnamed narrator (obviously Doyle himself) gives us is sensory data of Chicago –“the sounds and feelings of things” where “buildings crowded the streets;” a Chicago with its “bone-chilling cold, and shuffle of boots leery and weary of ice, and the groan and sigh of buses coming to a stop, and the whir and whine of evening traffic on Lake Shore Drive;” along with “the shriek of trains leaning into the curves of elevated tracks near Wabash and Wacker.”

I remember everything that happened in this book, know of the all the places he mentions, of the gangs and Archdiocese (Doyle worked at US Catholic Magazine) that ruled with an iron fist while ignoring the corruption around it. Then there was the snowstorm of 1979 that paralyzed the city and ultimately cost the Mayor his job (and the rise of Jane Byrne, the cities first and so far, only female mayor). But ultimately the book is less a history of that time (though it is), but more about what Chicago has done, has always done, to the people that were born, raised, and died there and the many who came to it seeking a new life and then move on, and that imprint on the soul it leaves. Even me, now eleven years nearly gone since I made the somewhat rash decision to leave, still miss the city, the friends I made and wonder of its skyline. 

Chicago, for me, is a gorgeous novel, filled with some interesting characters, human, canine, and concrete alike, and takes me back to a time when I thought there was no better place to live. It should be required reading for many Chicagoians, as well as those who visited and have felt a longing to go back.

26 July 2008

Movie: The Dark Knight (2008)

While never a huge Batman fan -as in one who read the comics and the graphic novels - I’ve appreciated the vision of Tim Burton, who brought a stylish version of the DC franchise to life back in 1989. And even though Batman Returns was a some what derailing of what he did in the first film, the franchise went off the rails with Batman Forever (due to the horible performance of Jim Carey) and Batman and Robin (just the whole thing, really).

Then in 2005, Christopher Nolan brought the franchise back in a slick, well made piece of eye candy. But beyond the action and mechanical effects, Nolan brought a sense of psychology to Batman, that in a sense, the Caped Crusader had to be bit off his rocker, just like the villains.

Now three years later, The Dark Knight offers us an even deeper, darker look into the mind of a killer and hero out to get him. Writer/director Christopher Nolan along with his brother Jonathan, unwind a complex drama about a corrupt city and the few willing to risk it all to save it.

The film is wonderfully layered, often ambitious tale with its many mind games and characters that also features a bravo performance from the late Heath Ledger as the psychotic Joker - a role that is bound to get him an Oscar nomination - while Christian Bale as Batman and Bruce Wayne must decide that classic Star Trek motto of the needs of the many outweigh the needs of the few or the one.

Batman, unlike the Spider-Man franchise or even X-Men, is set more in the real world, thus more believable. He has no super-powers, thus he must use wit and brawn to succeed. This makes the audience feel a more part of the story. That The Batman makes his battle with The Joker more personal, forces him to look at his own beliefs and even forces the audience into asking what they would do when confronted by such a moral dilemma.

As noted, Heath Ledger’s performance elevates him beyond the cartoon aspects that became Batman’s nemesis’ during the earlier film series, with the exception of Nicholson's role as The Joker. His audacious take on the role, dark and full of menace makes The Joker one of the best villains a super hero franchise has ever created. The fact that The Joker has no moral dilemma, no soul makes Ledger’s performance even more impressive.

Perhaps, looking into your dark side, looking into a pit of nothingness that is The Joker, was Ledger’s downfall. Jack Nicholson had warned Ledger of the power of The Joker. A creature with no soul, is bound to consume you.

Meanwhile, Maggie Gyllenhaal does fine, in what amounts to a small role here, as Rachel Dawes, but even here, she surpasses Katie Holmes wooden performance in Batman Begins. The rest of the cast elevates the film also, with a bigger role for Gary Oldman’s Jim Gordon and the evolution of Harvey Dent from White Knight of Gotham City to Two-Face. The always reliable Morgan Freeman and Michael Caine could read the ingredients to rat poisoning and make it sound brilliant.

And while Nolan only spent three weeks in Chicago filming Batman Begins, he spent three months for this film, giving the city a chance to shine, even though we never really see any of its classic landmarks, with the exception of Lower Wacker and the Chicago River. And that blowing up of the hospital in Cicero was way cool.

I’m curious now, where the franchise will go from here. Ledger’s performance and tragic death is bound to haunt the next film, and it will be hard to top. Whether Nolan returns to direct or not, when that third film gets made, it will need to honor what Nolan has started with these two films, and not let the franchise become the sad, silly, and overproduced, with over the top villains that would eventually kill the franchise the first time around.

06 January 2008

Best music of 2007 -Part 1

I have a small cirlce of friends, though since moving to the LA area over two years ago, it's gotten bigger. Still, there are few of my friends that I could say those true-in-the-dye friends, the ones who accept you for all your faults (and will tell you what they are, BTW, but never in any cruel sort of way) and love you no matter what.

One friend in Chicago, has truly been that. And yet, I guess, I never realized that until I left Illinois. His name is Marc, and he hold a very special place in my heart for many reasons others do not. He is tall, gregarious guy with a smile and dimples that light up any room he's in. He is smart beyond anything, and loves music like I like chocolate; he needs it everyday.

At the end of the year, one thing I look forward to his thoughts on what was the best music of the year. Now his taste goes all over the place, as he is a true connoisseur. And because he knows what I like, he generally keeps me in the loop for new and upcoming bands, guys and girls who are producing music that means something.

While I appreciate and support singer/songwriters more than anything else, I do like a bands that try to step out of the box of top 40 pop music.

Anyways, here is his list for the best of (which I think is more real than anything any magazine puts out):

Best Albums:

The Editors – An End Has a Start. I feel like I found a new band that I will now follow until the end. Such a great, emotional, alt rock epic. Fans of Kitchens of Distinction (almost identical but in the best way!), Snow Patrol, U2, and Coldplay will have a new favorite.

Nicole Atkins/Neptune City – Like Mama Cass produced by Goldfrapp and Amy Winehouse. Gorgeous!!! If you don’t have this, get it now.

Roscoe/The Trials of Van Occupanther – An odd mix of indie rock and 70’s era Fleetwood Mac. Can’t explain but it totally works. Great chillout CD.

Robert Plant and Alison Krauss/Raisin’ Sand – Who knew their colaboration would work? Sounds closer to Zep’s mellower output than anything Plant has done in his sketchy solo career. Completely works.

Reminder/Feist – Can she top her brilliant debut. Yes. Can’t imagine what Leslie has left in her after 2 near flawless CDs.

Ryan Adams/Easy Tiger – His best CD since Heartbreaker. It’s what we want from Ryan: sadness put to an alt country sound. High, high lonesome.

Lori McKenna/Unglamorous – I feel the way about this Nashville singer/songwriter that many feel about Patty Griffin. She pours so much emotion into her complicated yet indentifiable songs. Best song: I Know What Your Next Love Will Be Like…about imagining your recent breakup falling in love with someone new. Been there!

Once Soundtrack/Glen Hansard – Like Sweeney Todd, you have to see the film to fully get the impact of this tender collection. Near flawless. Even better than the music from his day job, The Frames. And I love The Frames.

Tracey Thorn/Out of the Woods – I knew her solo outing would be wonderful. She could sing the McDonalds menu and I’d swoon. But this was beyond expectation. More Tracey, we need more.

Matt Nathanson/Some Mad Hope – I wish Matt wasn’t lumped in with all the frat boy pop (Howie Day, etc) which keeps him from some more serious fans, but hopefully this will broaden his already strong base. Every song could be a single on this pop rock masterpiece. The best: Wedding Dress. Now if someone will just tack this song onto the end of a Grey’s episode, he’d be set!

Paul Oakenfold/Greatest Hits and Remixes – This is unexpected since I was never a massive fan, but this collection featuring some really great old school mixes from Underworld, Mansun, Dirty Vegas, Radiohead, Olive and the quintessial version of EBTG’s Missing (2007) is just staggeringly fun. Look for the unmixed version available for download online. It has extra tracks done under his Perfecto moniker.

To be continued...