Near the end of Peter Straub’s Lost Boy, Lost Girl I discovered he
wrote a sequel to the book that was released in 2004, a year after the first
one. So I looked up the book at the library by my house –and not a huge
surprise- they did not have In The Night
Room (when it comes to the books I want to read, my library –a four minute
walk from my front door- never carries them), but the San Dimas location did. I
was going to go there, but on Friday last week, I went to the local used book
store by my house and found a beat-up copy at the Book Rack, so I bought it.
In some ways, this book seems
less a sequel and more a continuation of Lost
Boy, Lost Girl. Set a year after those events, Tim Underhill is struggling
writing his newest book. Still traumatized by the loss of his nephew -to some
Elsewhere land- he begins getting cryptic email messages that tell him that the
Dark Man –Joseph Kalendar- is in need of something, and Underhill is the man to
do it. Whether he wants to or not. He’s also being stalked by a fan that has menace
on the mind. Meanwhile, we meet a woman named Willy Patrick –who after a
horrible young life that continued with the murder of her husband and daughter-
who is about to marry the perfect man –at least in her eyes. But this award
winning author is also drawn into places, like a warehouse, where she knows
that her daughter Holly is being held in there, despite knowing she is dead.
But worlds are about to collide
for both Tim and Willy, and the doorway between reality and fiction blurs and
nothing will be the same.
With In the Night Room, Straub’s recent stab at metafiction comes fully
out. Readers of Jasper Fforde will understand what Straub is doing here, by creating
a novel within a novel, and mixing in some dark fantasy along with
psychological horror, he blends the genres and creates a fast-paced, at times
Dickensesque type story.
Plus, I sense, Straub is not done
with this arc.
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