The Hard Case Crime imprint series was founded in 2004 by
publishers Charles Ardai and Max Phillips. The series recreates, in editorial
form and content, the style of the paperback crime novels of the 1940s and '50s
that also features original art done in the pulp style. The collection includes
both reprints of novels in that genre along with new titles written for that
style.
In 2005, Stephen King wrote The Colorado Kid for the line
and it became the most well-known titles. Still, that book, offered
little in the way of actual procedural detective-work, no sex, violence or
action, possibly no crime, and no solution to its mystery (and somehow, the
cable net Syfy was able to create a series called Haven, which is loosely based
on the novella. It’s in its fourth season).
Now King returns with his second story for Hard Case Crime
line-up, Joyland. It’s the story of a college student, Devin Jones who spends
summer and fall 1973 working at a North Carolina amusement park. Reminiscent of
King’s The Body (the novella from Different Season collection that became the
movie Stand By Me), it’s told by its sixtysomething narrator looking back. Devin has arrived in North Carolina after being dumped by
his girlfriend and is still mourning the death of his mother four years earlier.
So he’s escaping the ghosts of his past and trying to find a future. Joyland
Amusement offers some solace, and soon the 21 year-old finds himself one of the
most popular new kids there, and making life-long friends with Erin and Tom. He
also becomes involved with a single-mother named Anne, and her wheelchair bound
son Mike, who King gives his patented variation on physic powers. While Dev is
enjoying his time there, learning the lingo and slang of carny-style life at
Joyland, he also hopes to see the ghost in the park’s Horror House, which is supposedly
haunted by young woman who was murdered there. With help from Erin, he begins
to investigate the girl’s death and stumbles upon a possible trail of dead
women that have spanned years.
This novel is also, in many ways, a coming-of age story, and
much like King in his later years (though it’s a theme that goes way back), he
talks about how all our joys, the sorrows, our tragedies and even our triumphs are
bound together and can assert themselves at any given time.
But, for fans of this imprint, they will discover that not much
really happens. The mystery is not that deep; the ghost –which is real-, makes only a
fleeting appearance and I got the impression that the book is really an
over-long short story. Still, I forgive King for these indulges. I love his
work and even his weakest stuff is still worth reading.
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