“Trier is famous for wine,
Romans and for being Germany's oldest city. So when a man is found dead with,
his body impossibly covered in a fungal rot, the local authorities know they
are out of their depth. Fortunately this is Germany, where there are procedures
for everything. Enter Investigator Tobias Winter, whose aim is to get in, deal
with the problem, and get out with the minimum of fuss, personal danger and
paperwork. With the help of frighteningly enthusiastic local cop, Vanessa
Sommer, he's quick to link the first victim to a group of ordinary middle aged
men - and to realize they may have accidentally reawakened a bloody conflict
from a previous century. But the rot is still spreading, literally and with the
suspect list extending to people born before Frederick the Great solving the
case may mean unearthing the city's secret magical history. So long as that
history doesn't kill them first.”
The October Man is lovely
off-shoot to the Rivers of London series, were we meet Tobias Winter, who works
for the Abteilung KDA (Complex and
Diffuse Matters), a division within the Bundeskriminalamt
(the Federal Crime Police) in Trier, a city on the banks of the Moselle. It
lies in a valley in the west of the state of Rhineland-Palatinate, near the
border with Luxenbourg and within the important Moselle wine region. Much like
the Folly, he investigates crimes of supernatural origin –or magic. Winter’s superior
is only refrerred to as The Director (or Die
Chefin), who was appointed by the KDA in 2005 by the new chancellor and is
the only registered and qualified practitioner in post-unification Germany
(before and during WWII, there were many). Oddly, the Director and Tobias are
well aware of “the Nightingale” and his apprentice, Peter, but their British
counterparts don’t know about them.
Anyways, much like the parent
series, this novella has witty narration and enough snark to sometimes feel like
its Peter Grant and not Tobias Winter talking. Still, Aaronvitch gives Tobias
enough different quirks that you eventually settle down and realize they are
two separate characters.
The mystery of the murder is
well constructed, and fans of deep procedural books, movies, and TV will appreciate
how Tobias and Vanessa go about trying to solve it. It’s compelling enough to
keep me reading, which I liked. Like any whodunits (even ones with magic and
water Gods), it features a few twists and turns. However, I felt the ending was
rushed and the motive for killer could’ve been better highlighted (like why the
obsession to young Jackie to begin with). But the novella really reflects the
work police must do during the investigation into a crime.
The local
history of area and of Germany the writer relates does not affect the pacing, something
the three novellas I’ve read so far have in common. Aaronovitch, like a lot of
writers, can sometimes lose themselves in the weeds of world building. While a
fun tale and Tobias grew on me, I don’t think he’s as engaging or as fun as
Peter. But I would not be upset to either have the German version of the the
Folly continue, or have the two eventually meet up. It could be fun.
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