As the
sixth novel in the Rivers of London series plays out, we get some new
developments in Peter's personal life, with the overall arc of the series takes
a solid step forward. This tale still plays out as more procedural, even though
we still get a lot magic. While Peter spends time hob-knobbing with the
upper-crust of British life, Aaronovitch does not use this too much as social
commentary on Peter’s life or his job. Here, also, DC Guleed, a female cop who
wears a hijab, who debuted as a minor character in Whispers Under Ground, gets
a co-starring role here. She’s a wonderfully realized here.
As always, Aaronovitch adds his dark humor, with some often time, and laugh out loud, clever comic touches. After the books fives diversion to the suburbs and novella that dealt with ghosts haunting the underground railway system, The Hanging Tree gets back to the main arc –dealing with the Faceless Man and his alliance with Lesley –though what their ultimate endgame is remains elusive.
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